Well, it’s the last
week in the semester here in the ivory tower!
Next week is finals week, which always overwhelms me more as a faculty
member than it did as a student. At any
rate, I want to take a moment out of my grading to relay a bit of a
conversation that I had with somebody.
You see, last week, a
fellow struggling writer read my last post and e-mailed me. The thrust of his e-mail was that he
understood the need to, as I said in my blog, “stop thinking and just write.”
However, he said that he had difficulty getting started because he never really
knew what his characters “should do.”
Evidently, my reader
doesn’t like to plot things out and is a “pantser” (as am I) and he feels
overwhelmed by all the different things that his characters COULD do. So when he sets up a situation, he can never
decide whether his characters should do x, y, or z. He freezes because he doesn’t know what the “best”
course of action should be for the rest of the story. Action x could allow the
characters to go down such-and-such a path, while action y allows the
characters to develop a completely different way. He asked me, “how do you choose what your
characters do?”
This is an expanded
version of my answer to him . . .
I told him that I don’t
“choose” what my characters do. My
characters choose.
I know that sounds
flippant, so let me explain.
As a writer, I view my
role as being a kind of recorder. I
simply write down what I see my characters doing. I don’t try to force them to react any particular
way. I don’t have any endgame in mind. I simply put them in a situation and then sit
back and watch the fun.
I believe my e-mailer
has difficult doing this for one of three reasons.
The first is that he
doesn’t let his characters go. He doesn’t
let them be who they want to be. He
wants them to do something (what that something is, he doesn’t know). He isn’t willing to let them do what they
want because he doesn’t know if it’ll be interesting and worthy of a story.
To this I say, everything
is worth of a story. Just make sure you
have characters with conflicting desires or perspectives. Which leads me to the
second issue that my e-mailer might be having . . .
I don’t think he knows
his characters.
This is probably going
to sound crazy, but my characters feel real to me. I can imagine what they would say to nearly
any question. I can picture them sitting
around a dinner table bickering back and forth.
I can imagine them getting old or being young. This degree of familiarity makes it so much
easier for me to write about what they’d do in any given situation. If they are walking in a forest and come to a
three-way fork in the path, I know that Edmund would sit down and analyze each
and every path. Pond Scum would throw a leaf up in the air and skip down
whatever path it landed closest to. Abby
(a character in book two none of you have met yet) would leave the paths and
start walking through the woods, because she doesn’t want to go anywhere other people have already been.
So the question thus
arises . . . how did I get to know my characters so well?
And my answer is this--I
honestly don’t know. Maybe it’s because
I daydream about them a lot in faculty meetings. Maybe it’s because, subconsciously, Edmund is
largely me and Pond Scum is somebody else in my life.
I don’t know.
I do know that I get to
know the characters better with each passing draft. That’s where they really develop. I might have a vague view of who they are in
draft number one. But the view of the characters sharpen as I get into drafts
three and four.
Which leads me to the
third issue that I think my wonderful e-mailer might be having . . .
He isn’t willing to
re-write. Or more precisely, the thought of “re-writing” bothers him, as if he sees re-writing as a mark of failure.
To this I say--you have
to be willing to re-write sentences, scenes…the entire novel-length
manuscript. Even if the writing is
BRILLIANT and a heavenly light shines down upon your computer screen, you still
have to be willing to re-write it. That’s
what writing is!! It’s a process of re-writing.
So my suggestions about deciding what your characters should do?
1. Get to know your characters. How is up to you. Maybe try therapy.
2. Allow your character to do what you think they would want to do.
3. If it doesn’t work, re-write the scene and have them do “y.” If that
doesn’t work…keep re-writing. Keep re-writing until everything fits. However, their actions should be consistent with their personalities and past behaviors.
At least, that’s what I
think. What do you think?
